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Wheel-thrown White Salmon with Speckles stoneware | 5.5" diameter × 4" tall | Micro paracord hanger | Oregon clay
Some things just look like where you're from.
This hanging planter was wheel-thrown in my Portland studio from White Salmon with Speckles — a porcelain-stoneware hybrid with a tight, beautiful body and black glass frit speckles that push through every glaze like stars through cloud cover. The upper body stays creamy and speckled, pale and quiet. The lower body is finished in Rhubarb, applied in a hand-painted wavy line that rises and falls across the form like a ridgeline seen from below — like the Cascades at dusk, or the Coast Range on a clear morning, or any horizon you've ever stood and looked at and felt grateful for.
The Rhubarb glaze behaves differently here than it does on darker clay bodies — warmer, softer, more matte, more like something pulled from the earth than something fired in a kiln. The speckles in the White Salmon clay push through both glazes, tying the two halves together in a way that feels entirely natural.
No carving. No additional texture. Just form, glaze, and a line that does all the work.
The hanger is braided dark micro paracord, twisted by hand to complement the warmth of the Rhubarb glaze.
At 5.5" wide and 4" tall this is one of the largest planters in the series — generous enough for a full trailing pothos, a lush fern, or whatever plant in your life has been waiting for a pot that matches its ambition.
One of a kind. The Ridgeline is the final piece in the hanging planter series — and possibly the most quietly spectacular.
****A note on how this is made: The interior is intentionally left unglazed — raw stoneware breathes in a way glazed clay simply can't, and your plant roots will thank you for it. There are no drainage holes, because this planter is designed to be used with a grow pot nestled inside. Slip your plant in its nursery pot, hang it up, and lift it out easily to water properly and check on root health without ceremony or mess. The bottom is finished with as much care as the outside — smooth, clean, and beautiful — because when something hangs overhead, the view from below matters just as much as the view from across the room.
Wheel-thrown White Salmon with Speckles stoneware | 5.5" diameter × 4" tall | Micro paracord hanger | Oregon clay
Some things just look like where you're from.
This hanging planter was wheel-thrown in my Portland studio from White Salmon with Speckles — a porcelain-stoneware hybrid with a tight, beautiful body and black glass frit speckles that push through every glaze like stars through cloud cover. The upper body stays creamy and speckled, pale and quiet. The lower body is finished in Rhubarb, applied in a hand-painted wavy line that rises and falls across the form like a ridgeline seen from below — like the Cascades at dusk, or the Coast Range on a clear morning, or any horizon you've ever stood and looked at and felt grateful for.
The Rhubarb glaze behaves differently here than it does on darker clay bodies — warmer, softer, more matte, more like something pulled from the earth than something fired in a kiln. The speckles in the White Salmon clay push through both glazes, tying the two halves together in a way that feels entirely natural.
No carving. No additional texture. Just form, glaze, and a line that does all the work.
The hanger is braided dark micro paracord, twisted by hand to complement the warmth of the Rhubarb glaze.
At 5.5" wide and 4" tall this is one of the largest planters in the series — generous enough for a full trailing pothos, a lush fern, or whatever plant in your life has been waiting for a pot that matches its ambition.
One of a kind. The Ridgeline is the final piece in the hanging planter series — and possibly the most quietly spectacular.
****A note on how this is made: The interior is intentionally left unglazed — raw stoneware breathes in a way glazed clay simply can't, and your plant roots will thank you for it. There are no drainage holes, because this planter is designed to be used with a grow pot nestled inside. Slip your plant in its nursery pot, hang it up, and lift it out easily to water properly and check on root health without ceremony or mess. The bottom is finished with as much care as the outside — smooth, clean, and beautiful — because when something hangs overhead, the view from below matters just as much as the view from across the room.