Wheel-thrown White Salmon with Speckles stoneware | 6.5" diameter × 4.25" tall | Fully glazed interior | Oregon clay
Two materials. One horizon line. The earth deciding where it ends and something else begins.
This planter was wheel-thrown in my Portland studio from White Salmon with Speckles — a porcelain-stoneware hybrid from Georgie's Ceramic & Clay, and one of the rarest clay bodies I work with. The lower body is clear-glazed, letting the cream-white ground and black glass frit speckles come forward exactly as they are — bright, clean, quietly beautiful. Above that line, Dark Magma Lava glass takes over. Volcanic. Crater-textured. The kind of surface that looks like it remembers being something hotter.
The contrast between the two is the whole point. Where the lava glass meets the clear glaze, the boundary is sharp and deliberate — a geological line, not an accident. Up close the texture is extraordinary: irregular peaks and small craters, dark charcoal-gray, completely matte against the luminous speckled body below.
The interior is fully glazed in clear — bright and clean, the speckled clay visible through the glass like something lit from underneath.
White Salmon with Speckles is rare in this studio. It intensifies everything — glaze colors read differently on a white clay body, and the contrast between the volcanic exterior and the luminous interior is especially alive here.
No drainage holes — designed for a grow pot nestled inside. Slip your plant in, lift it out to water, set it back. No mess, no ceremony.
At 6.5" wide and 4.25" tall, this is the one that stops people mid-sentence.
One of a kind. Dark Magma Lava glass fires differently every time — this particular Magma exists only once.
Wheel-thrown White Salmon with Speckles stoneware | 6.5" diameter × 4.25" tall | Fully glazed interior | Oregon clay
Two materials. One horizon line. The earth deciding where it ends and something else begins.
This planter was wheel-thrown in my Portland studio from White Salmon with Speckles — a porcelain-stoneware hybrid from Georgie's Ceramic & Clay, and one of the rarest clay bodies I work with. The lower body is clear-glazed, letting the cream-white ground and black glass frit speckles come forward exactly as they are — bright, clean, quietly beautiful. Above that line, Dark Magma Lava glass takes over. Volcanic. Crater-textured. The kind of surface that looks like it remembers being something hotter.
The contrast between the two is the whole point. Where the lava glass meets the clear glaze, the boundary is sharp and deliberate — a geological line, not an accident. Up close the texture is extraordinary: irregular peaks and small craters, dark charcoal-gray, completely matte against the luminous speckled body below.
The interior is fully glazed in clear — bright and clean, the speckled clay visible through the glass like something lit from underneath.
White Salmon with Speckles is rare in this studio. It intensifies everything — glaze colors read differently on a white clay body, and the contrast between the volcanic exterior and the luminous interior is especially alive here.
No drainage holes — designed for a grow pot nestled inside. Slip your plant in, lift it out to water, set it back. No mess, no ceremony.
At 6.5" wide and 4.25" tall, this is the one that stops people mid-sentence.
One of a kind. Dark Magma Lava glass fires differently every time — this particular Magma exists only once.
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